divisare

  • 2001. FANY. DUDELANGE
  • 2001. FANY. DUDELANGE
  • 2001. FANY. DUDELANGE
  • 2001. FANY. DUDELANGE
  • 2001. FANY. DUDELANGE
  • 2001. FANY. DUDELANGE
  • 2001. FANY. DUDELANGE
  • 2001. FANY. DUDELANGE
  • 2001. FANY. DUDELANGE
  • 2001. FANY. DUDELANGE
  • 2001. FANY. DUDELANGE

2001. FANY. DUDELANGE

PHOTO ESSAY BY MAXIME DELVAUX

From the Publisher

From its early days, architectural photography has been a fundamental tool for the documentation of architecture, the city and the landscape, communicating with a vast audience. But things are changing rapidly today and the role of photographers is becoming more complex: their images do not only document, but to an increasing extent also interpret constructed space. There is less discussion and less writing about contemporary architecture. The visual languages are quickly filling the gap. Narrations in images by photographers are taking on a fundamental role, day by day, for the comprehension and transmission of contemporary architecture. These very personal interpretations can have a decisive impact on our perception of constructed space. This series examines architectural photographers who through their “lenses” are able to offer us privileged “viewpoints” for a better understanding of the space in which we live.

Save this Book in your Reading List
This book is also available as part of this box set
2001.
ALBERTO CAMPO BAEZA DE BLAS HOUSE SEVILLA LA NUEVA MADRID 2000
GIO PONTI: A CRITICAL CONSIDERATION BY JOSEPH RYKWERT
BRUTHER  NEW GENERATION RESEARCH CENTER CAEN 2015  PHOTO ESSAY BY MAXIME DELVAUX
GIORGIO MURATORE  ON GIORGIO GRASSI AND DARIO PASSI
ARNE JACOBSEN  ST. CATHERINE’S COLLEGE OXFORD 1962  PHOTO ESSAY BY DANIEL HOPKINSON
ALBERTO CAMPO BAEZA  TURÉGANO HOUSE POZUELO MADRID
×